REVIEW: Heroines on Horseback - Jane Badger

Heroines on Horseback is a book by Jane Badger. It was first published in 2013 by Girls Gone By.

The blurb reads:-

The pony book galloped onto the children's book scene with a flick of its rosetted bridle, and has remained a fixture ever since. Brave girls and nervous ones, scruffy ponies and ornaments of the show ring cantered through pony tale after pony tale, all fallen upon by an audience desperate to read anything that reflected their own passion for the pony.

Heroines on Horseback looks at the pony book from its beginning in the 1920s and 1930s to the glory days of the 1940s and 50s and beyond. The pony book expert Jane Badger writes about the lives and contribution of noted exponents, including Primrose Cumming, Monica Edwards, Patricia Leitch, Ruby Ferguson and the Pullein-Thompson sisters, as well as providing a wide-ranging view of the genre as a whole, its themes and developments, illustrators and short stories.

This book has a chapter devoted to the Pullein-Thompson sisters hence why it is on this blog. However I am not going to focus solely on the PT chapter, but a review of the book in general.

This book is ideal for anyone who is interested in the history of the pony book as it covers everything from the early days to the hey days of the pony book of the 1960s and the 1970s. It also covers major illustrators of the pony books. The book is also aimed at adults who want to relive their pony book days. It also covers British authors, which is not surprising as the author is based in the UK. However that's not to mean that the non UK authors are excluded, Elyne Mitchell (an Australian author) does get a mention.

I found it interesting and it gave a quick summary of some of the books without giving the plot away. The author has a knack of keeping the author interested without making the subject into a boring tome - something which could be easily done. The only downside is that it skimmed through the more modern stuff (1990s onwards), briefly giving them a mention. I felt as though they werent given the same time to the book. Perhaps the author simply ran out of room - after all you cant fit everything into a book. Though admittedly there are new pony authors coming out all the time. The major authors (Pullein-Thompsons, K M Peyton) are covered along with lesser authors such as Patience McElwee (though like modern books they arent all covered). Judith M Berrisford (who wrote the longest running pony book series) is another author who is barely covered. However the author has a superb website which is full of biographical information of many authors - I suspect that she didnt want to reiterate what is available essentially for free thus making the book redundant.







The Pullein-Thompson chapter is very informative and full of a wealth of information about the sister, including little known gems. It focuses on their works up until 1970, which means that later books such as the later Phantom Horse series, A Job With Horses (Josephine) are largely forgotten about. It also contains a review of the Black Beauty Family's series by Susanna Forest (author of If Wishes Were Horses).

It makes you want to buy many authors that you missed out as the author of the book has a knack of describing hidden gems.

There was a couple of things that I didnt like. Personally I didnt like the yellow on the front cover, I felt cream or something more neutral would have been more appropriate. Also I didnt like the fact that covers of pony book depicted internally where in black and white - I would prefer them in colour. I suspect that both decisions were taken by the publisher rather than the author however. The black and white does fit in however with the illustrations, of which they are plenty and sympathetically chosen to display what the author is trying to convey. Similarly the quotes of the various pony books are well chosen and fit with what the author is trying to convey well.

It is a well written book and definitely worth the money paid for it. Despite my criticisms, I highly recommend it. Heroines on Horseback is available through Amazon, abebooks, Girls Gone By, Waterstones (at least online, I dont know about their physical stores) as well as through the author's own website (link below). If you order through Jane herself she will sign it for you at no extra cost. (Mine is!)

http://www.ponybooksales.com/?page=shop/flypage&product_id=5145&keyword=badger,+jane&searchby=author&offset=0&fs=1

An interesting personal note is that I am mentioned in the acknowledgement section by name. Obviously I am not going to put my real name on a public blog, but my initials are DH. If you own such a copy you will work it out yourself.

Review: JOSEPHINE - Plenty Of Ponies

This week's book is Plenty Of Ponies. It was first published in 1949, making it one of Josephine's earlier books (in fact it was her third book that she published).

The blurb reads (first picture):-

'Quite frankly, I don't think much of you Esmonds' said the colonel. 'You've got some of the nicest ponies in this Pony Club, but you don't seem to take any trouble.'

The Christmas holidays promise wonderful adventures for the five Esmonds - but somehow they always end up in disgrace. They let The Turk gallop through hounds, October has run riot in Mr. Simpson's garden - and now they've brought chaos to the Pony Club rally.

However, there's still the Children's Meet, and the Esmonds are determined to redeem themselves - and give the colonel the shock of his life....

The second scan is of a Collins Pony Library edition, which does not contain a blurb. However both editions contains illustrations. The Collins Pony Library edition are credited to Anne Bullen, which are presumably the same ones as the first edition. The other one (a White Lion edition) does not credit the illustrator, but they are the same ones as in the Collins Pony Library edition (and presumably, by Anne Bullen). The cover has been done by someone else, however.

The book starts out with Professor Esmond pointing out their bad points, of which they decide to "improve their characters". However things do not go to plan, even when hunting on Boxing Day the Master gets cross and a Colonel Howard tells them off.

This book is somewhat slightly stuffy, these days people do not think of "improving their characters". However there is a great deal of (mis)adventures to be read in this book, and this makes up for it. Granted, there aren't so many horse filled incidents until near the end, but the relationship of the children is enough to keep you occupied. Perhaps this is not the ideal book to start off with if you have not read Josephine's books before, as this is not her best work. However, it must be remembered that it is an early work of hers, and that is the reason why.

In some ways that old fashionedness sticks out, there is talk of brandy when someone is ill/has an accident, which is not used today in quite the same way (and certainly not given to children) and also of liver pills (which are not used these days either). Also there are frequent mentions of servants and gardeners, which (unless you are very rich) people don't have these days. Also when there is talk of hanging, it also dates it, as we don't have hanging anymore.

It is a book I am not particularly fond of, but if you can get past the old fashionedness of it, it is not too bad. Like All Change/The Hidden Horse, the ponies are a secondary element to this book.

Review: DIANA - A Pony To School

A Pony To School is the continuation of the Augusta/Christina series, and is the third. I am not sure what colour Clown (the pony referred to the title), is as in my copy (an 1978 Armada edition) he is clearly pictured and described as being skewbald, but in earlier editions he is a grey. Whether the previous editions are wrong, or Armada (in some fit of insanity) changed the original colour of the pony, I do not know. Having only had this edition in my fair hands, I cannot confirm or deny this. But now, just having seen another edition (published by Severn House), which shows a brown pony on the cover, I strongly suspect that somewhere down the line the colour has been changed.

The blurb reads (taken from the Armada edition on the right):-

As we rode home, I thought of how Clown had cowered in fear when Ted Dunn had finally managed to catch him. I wondered if Christina and I would ever turn him into a well-schooled pony. Then suddenly I was determined to succeed at all costs, not because he was beautiful, but because I never wanted him to look so miserable and frightened again.

Then Augusta and Christina discover that the skewbald pony is a rearer - and if they cant cure him of his dreadful habit he will have to be destroyed...






The original book (illustrated cover) is illustrated by Anne Bullen. However the later edition (the one with the photographic cover) is not illustrated. 

Admittedly this book is balanced a bit more in favour towards Augusta than the previous series (and last week's) title Three Ponies and Shannan since this book is told by either Christina or Augusta, every other chapter is by one of the two. Interestingly, this is a similar style that is used in Diana's joint work Fair Girls and Grey Horses, but still, you cant help feeling that the emphasis is put more on Christina.

Christina is a more nicer and rounded character than the spoilt person she was in Three Ponies and Shannan, but this book does have a lot of an element of fantasy about it. With most of Diana's books, you can imagine that the events which do happen in them could have happened in the 40s, 50s etc (or whenever the book was set), but to give 2 young people, an rearer is not at all wise. As the sisters admitted in Fair Girls and Grey Horses, they learnt to automatically reject and definitely steer clear of rearers. Secondly, most rearers cannot be cured, unless you are fortunate enough to have one that was caused by a simple case of a badly fitting saddle (and are wise enough to sort out a proper fitting saddle). I am not talking about horses that have reared once because of genuine fright or ones that have been trained to do so on command. Clown is also a 5 year old, which is even more deadly. Even more, when Ted Duanne (Clown's owner) got them to take on the pony, he "neglected" to mention that he was a rearer.

Still there is a nice reference to a book called Equitation, which presumably is a reference to Henry Wynmalen’s Equitation, a book which heavily influenced all three sisters.

It is a good book, which seems to urging on the moral high ground that if something goes wrong with a young pony, it is best to start reschooling straight away. Which is what they do. The story is basically an account of what happens when they start reschooling, and the incidents which happen when Clown is ridden. However, they do start to discover the cause of Clown's rearing, which again, makes a good moral for this story, that a good rider/owner should always check if there is a cause for a pony's misbehaviour, too many riders say "the pony is a bad one", when a vet/saddler check or a course of lessons could stop it. Thankfully this book has a happy ending, and obviously the pony does not rear. There is a tragedy in the story though.

Incidentally, the subject of dangerous ponies is not a subject not forgotten about - the book Cassidy in Danger/This Pony is Dangerous is about a potentially dangerous pony too. I wonder if in Diana's pony schooling life, she always took on the "dangerous" ones?

I feel that this book is the second best (or even the best) out of the series, as it is a lighter and better tone (not to mention better written) than the others. If you can sit through Three Ponies and Shannan without giving up, then I can guarantee you will enjoy this one more. I also feel that this is one of the better Diana books too. The final one in the series is Only A Pony, which I will be covering next week. I will also be doing an extra review next week too, the book to be decided.

Review: DIANA - I Wanted A Pony

I Wanted a Pony is the book I have chosen for this week.

It has a special place in my heart. Not only because this is Diana's first ever book on her own (it was published in 1946 - the same year as her joint work It Began with Picotee), but it was also my first Diana book. This edition dates from the 1970s, but it was bought second hand in the early-mid 1990s ( where I bought it from closed down in 1997). The original price is 20p, but I paid 40p (the price tag is still written inside). Also, this is the first book she wrote which is part of a series (the others being Three Ponies and Shannan, A Pony To School and Only A Pony). I will cover the rest of the series over the next few weeks.

Besides, at one point, we all can relate to the title, I am sure that 99% (if not all) of my readers are pony mad (is it possible to love pony books and not like ponies?) and of course, we wanted a pony at one point. Some of us are still waiting, whereas for some of it did come true.

This edition is illustrated, but the illustrator is not credited. However they do look like they are the same illustrations as in the first edition, which are by Anne Bullen.

The blurb on the back reads:-

"Dear Augusta - I shall be very greatful if you will accept this small present in return for so gallantly saving my farm from being destroyed....."

Fifteen pounds all for herself. Augusta cant believe her luck. Now she would be able to have her dearest wish - a pony of her own. Her three cousins, who think they are such marvellous riders, laugh at Augusta and her little grey pony. But she works hard at schooling him in preparation for the Stokely Show; and even though her cousins are very discouraging she has a surprise in store for them, for Augusta and Daybreak start winning prizes of their own.

If you can get past the fact that you can no longer buy a pony for £15, then this makes an interesting book and one I enjoy. I like the fact that it is told from Augusta's point of view, and the sheer bad manners (I get the feeling they never wanted her to live at their house) that her cousins show makes a good background for the story. They live in a place called Fledgewood, which is in Flintshire, which bears a bit of truth. As all of the PT's books are based in the UK (most of them England, though there are a couple of them in Scotland), there is a case of there being a real life Flintshire, whereas all the places they mention are completely fictional. I wonder if Diana knew that (and Christine, as one of her books also mentions a Flintshire too)? (I live in the county bordering the real life Flintshire by the way, and used to live 2 miles from the border.) Only in the real life Flintshire, there certainly isnt a Fledgewood (as mentioned in my first post, I am in North East Wales, and 99% of the places have Welsh names). Anyway, her cousins life revolves around shows, and one of them, Jill, even gets a showjumper in the book. The consequences of what happens when Jill tries out a potential purchase, Topper is a great addition to the book.

Anyway, her cousin, though not nasty, leave Augusta on her own, as there is no suitable pony for her (the last time they saw her riding was not successful, so they do not trust her with any of their ponies. However, as Augusta admits, she did improve after that, so she would have probably ok on their ponies), so at one point, she does a walk after her own, and this in turn, causes her to discover the fire, which leads to the fifteen pounds. As obviously the fifteen pounds let her buy the pony (though she did have to make a few personal sacrifices herself) that is how she got Daybreak (without her aunt's or cousin's knowledge). Although Augusta does have a few problems with Daybreak, these are soon sorted out, and you can tell she had fun.

It is good that she could prove to her cousins that she can ride and win rosettes, though how she got one of them would probably be banned today, in this modern health and safety mad world. Her cousins attitudes changes too at the end, though we will never know how much, as unfortunately her cousins do not feature in subsequent books in this series. All in all, a good book.