The Hidden Horse is this week's book. It was originally published as All Change, but was later retitled as The Hidden Horse. It was first published in 1961.
The blurb reads (taken from the first image, which is the first edition:-
THERE WAS NOT DOUBT at all, the Conway family decided, that that new owner of the Charnworth estate was going to be a thorough nuisance. Their father had been agent to Lord Charnworth for eight years and he had regarded them as part of the family, letting them ride over the whole place as if it had been their own. But with Mr. Smithson, the new owner, things were not going to be the same. The estate was going to be run on strictly business lines and there was not going to be any question of children getting in the way or breaking down fences or gates.
However the five Conways - plus their new friend Nick - manage to have an extremely adventurous beginning to the Christmas holidays. Their father had told Douglas on his first meeting back from school: 'A lot may depend on your behaviour these holidays'. As things turned out, a lot did depend on it!
and the blurb from The Hidden Horse (second image) reads:-
With their parents' tenanted farm under threat from a heartless new landowner, Douglas and this younger brothers and sisters secretly pool their savings to buy back a favourite Jersey cow from a local auction. But on the same day there just happens to be a horse sale, where, unknown to the others, Penny bids for a thin, fifteen hand thoroughbred mare...
The edition shown is a J A Allen edition, hence why the blurb is so short. As per usual with these editions, the majority of the back is taken up with information on the author (and in this case, her two sisters, brother and mother whose surname is mispelt Cannon).
This won an Ernest Benn award: this appears to be given by Ernest Benn (the original publishers) to the best book they published in a particular year. In this case it won the first prize in their Children's Book Competition.
Just a note: all editions except the first one have been revised. This is due to the fact that Josephine included the words "Jew boy", and "bloody" and depending on the publisher it varies what has been taken out. The J A Allen edition (second image) does include the words "bloody" but not Jew boy.
As for illustrations, the first edition contains illustrated by Sheila Rose. The J A Allen (second image) does not contain small illustrations, but they are not credited. These are completely different ones to the first edition.
The book begins with the sad, harsh reality of a death of the land's former owner, and how things are going to change. I can see why Josephine chose to use the (original) title of All Change, but I guess subsequent (re)publishers of this book wasn't pony enough, hence it's retitling.
Because of the sad, harsh reality they have to look at everything financially: the new landowner cares more about money. This leads to unpleasant comments, and the selling of their prizewinning cow (who belongs to the owner of the farm - not the Conways - who are the family in this story). Knowing that she will go for meat because of her age, the children make a plan to attend the auction & buy her back, and that is when they get the horse.
Like last week's offering, The No-Good Pony, this explores family relationships, but unlike The No-Good Pony, the family are not divorced. It does explore change: the lack of willingness of the farmer to change to factory farming, and the local villagers (especially the elderly) to more houses in the village, and the inclusion of central heating.
The only bit that I didn't get was why J A Allen didn't omit about Nick smoking, as smoking is very un-PC these days. As this edition was published in 1989, it seems a rather strange thing to include, especially as it is an children's book. Granted it is an older one (J A Allen suggest age 9-1 3 on the back), but still. It's not really a key element to this story.
I really liked this book. The sudden change of the way of life, not only to the main characters, but other farmers & the village is well thought out. There is an great episode where at the sale, a bull belonging to another farmer breaks out and causes great chaos in the local town!
This is perhaps the least horsey book out of Josephine's I feel, as although ponies are there, it is more of a farming story than a horsey one. Perhaps that is why it was retitled. But don't let that put you off: the standard of writing is extremely excellent (this is one of Josephine's better tales) and it is easy to see why this has won an Award.
A good book which shouldn't be missed.
Saturday, 10 May 2008
Review: JOSEPHINE - All Change/The Hidden Horse
Posted by pullein-thompson-archive at 15:55 3 comments
Labels: 1960s books, Josephine, Re-named books, Review
Saturday, 2 February 2008
Review: JOSEPHINE - Star-Riders Of the Moor/Star Riders
Star-Riders of the Moor is this week's book. It is the start of Josephine's longest running series, which is most commonly referred to as the "Moors" series. This is due to the fact that all the books in the series (with the exception of one) have "Moors" in the title. It was first published in 1976.
It was republished in 1990 by J A Allen, who decided to rename it Star Riders. I have no idea why they chose to do that (they decided to do the same with Diana's Cassidy in Danger/This Pony Is Dangerous), perhaps it was due to the fact that they only decided to republish one out of the series.
The "Moors" series comprises of the following books: Star-Riders of the Moor, Fear Treks the Moor, Ride to the Rescue, Ghost Horse on the Moor, Treasure on the Moor, Mystery on the Moor and finally Suspicion Stalks the Moor.
I will be using the first edition, which is the one pictured above. The J A Allen edition of the book was revised a little; the differences are minor, so it doesnt matter so much which one you read. (There is also a paperback edition) The first edition is illustrated by Elisabeth Grant, these are missing from the re-named edition.
The blurb reads:
The Burnetts, the Mitchells and the Jacksons wanted to show the 'new' people all their favourite places for riding on the moor. They were annoyed to find strangers at Menacoell, an old shepherd's cottage, and full of plans for turning them out. The strangers turned out to be film-makers, however, who needed their help with pack ponies for a smuggling film. But was the film-making quite what it was made out to be?
Firstly, this is a complete departure from Josephine's usual style, as there is no instructional element to this story (or even this series). Her sister Christine was more famed for writing such books; nearly all her books follow the "adventure" element. I do like the "Moors" series the best though, with the exception of Mystery on the Moor and Suspicion Stalks the Moor (reason why covered a couple of weeks later).
The series focuses on the Burnetts mainly. There isnt a location listed: although there are many place names mentioned, but they are entirely fictional. To me the locations sound Cornish, and therefore the book is set in Cornwall. Josephine herself based the location on the time she ran a pony club in Bodmin Moor, so it makes sense it is in Cornwall.
The book begins with the Burnetts talking about the new neighbours and meeting up with them. It also introduces the Jacksons; people who in the end turn out to be a central role: their dad runs a trekking centre (to me it always seems on a shoe string: the fact the ponies are frequently sent out with bath mats under the saddle and rusty bits is a good example) which provides interesting pony characters, both in this book and later on in the series. The Jacksons also sell the ponies, which proves useful for Jane, as initially she is mountless.
As per the blurb, the adventure begins when Jane, the Burnetts, the Hamiltons and the Jacksons begin riding together, and discover Menacoell is being used. As it says in the blurb, the excitement begins when they discover the "film makers". Intially, they think it is great, but at the end, they discover something sinister going on. I wont spoil it for anyone.
It's one of those books you either love or hate: if you are the kind who loves Christine's adventure type books and have been put off by Josephine's "instructive" side of things, then you will love this.
However, if you like Josephine's instructive style, then this may not be for you. Either way it is a well written book and an excellent start to the series: it is easy to see why this was Josephine's most long running series.
It is interesting to see that Josephine is not merely confined to a specific type of horse book: there are more to her then writing instructional stuff.
Posted by pullein-thompson-archive at 16:28 3 comments
Labels: 1970s books, Elisabeth Grant (Illustrated By), Josephine, Moors, Re-named books, Review
Saturday, 3 November 2007
Review: DIANA - Cassidy In Danger/This Pony Is Dangerous
Cassidy In Danger is this week's book. It was first published in 1979, but in the 1990s, J A Allen republished it as This Pony Is Dangerous.
The blurb reads:-
'Cassidy's vicious - he's a killer', they all said. 'He'll have to be destroyed.'
But left to her own devices for the holidays, Katie determines to save the beautiful bay pony. Can she succeed? And if she does, will she ever be able to make him safe to ride?
If anyone is unfamilar with the J A Allen editions of the P-T books, approximately 3/4ers of the back is taken with information about the author. Hence why it is so short. But it can be useful though, it wasnt until I got hold of a J A Allen edition that I found out that the P-T sisters had a brother, who is of course Denis Cannan. There is no mention of him on this edition though.
Dangerous ponies seem to be a thing that Diana likes: it is not the first time she had written about a supposedly dangerous pony. After all that is what A Pony To School is about.
The book starts with Katie, the main character of the story, being sent to her godmother's house and her joys of getting there. Interestingly, there is an reference to Georgette Heyer, a friend of her mother's.
Katie, after discovering that the local riding school charges £4 an hour for riding lessons (she was only left with £10) feels rather alone and that is when she discovers Cassidy. She also discovers later from her godmother why Cassidy is deemed dangerous, but like most books, it makes it sound like the previous rider's fault. Left to her own devices a lot, she makes friends with Cassidy, and ensures that he will be saved. Consequently, she spends her spare time with Cassidy, and meets a neighbour called Matthew (another reused name, it was in The Hermit's Horse there was a boy called Matthew). They become good friends, and makes a good additional character. She rides Cassidy, and tries to retrain him.
There is a time when Cassidy almost loses his life, but like all good books he gets saved. In some ways it has elements of Christine's Phantom Horse In Danger, but this book was published a year before Phantom Horse in Danger, so I guess it must be a twin thing. They say that twins are psychically linked after all.
Whether Cassidy continues to be dangerous or is really dangerous isnt really answered by the book, unlike A Pony To School the answer is never really given. It's up to the reader whether or not they want to believe it. But the main thing that Cassidy isnt put to his death, and presumably, he lives until an old age. Pony books never really deal with that.
It's a little bit dated that they refer to 1980s bands/artists. As J A Allen decided to revise this book, I feel that they should have re jigged a little bit by saying "the latest bands", or something along those lines. I feel that it isn't as strong as compared to A Pony To School on the dangerous front, but it's more appealing to today's people who are more used to being fed a diet of Heartland or similar junk. In some ways, this is better than A Pony To School. But it's more appealing to most people, and less old fashioned. But it is a good book, and not one that is hard to find.
Many thanks to Jane Badger for the scan of Cassidy In Danger.
Posted by pullein-thompson-archive at 18:04 3 comments
Labels: 1970s books, Diana, Re-named books, Review
Saturday, 18 August 2007
Review: DIANA - The Boy and The Donkey/The Donkey Race
So it comes to my first review. I thought I would choose Diana first as I have all of Diana's whereas I still (discounting the ones I want to replace with certain editions etc) have both Josephine's and Christine's books on my want list.
The Donkey Race (originally published as "The Boy and The Donkey") is the one I have chosen. My own personal copy and the bit on the back (is there a technical term for it?) is taken from the Armada retitled edition and as follows:-
"Duggie's adventures begin on the day when he meets Old Jock, the rag-and-bone man, and Tammy, his small grey donkey. When Jock becomes ill, Duggie finds himself looking after Tammy and driving him through the streets of London.
Then Duggie hears about the Donkey Derby, a race that is held every summer, and his one ambition is to enter the Derby with Tammy - and win"
Both editions are illustrated by Shirley Hughes
As obvious from the title, it isnt an pony book and this should be an slightly OT post, as it is about a donkey. But we'll ignore that for now. Personally speaking, this is one of my favourites, though I suspect that it didnt sell well as Diana's pony books. Perhaps why in 1970 when Armada took it on (this is when my copy dates from) they decided to "jazz" it up a little by rearranging the title. The book dates from 1958, and I feel it is a near true portrait of life in those times. There isnt a specific area given in the book, but I feel it must have been a poor one, bordering on the affluent areas (Kensington High Street is named quite early on, and the Rotten Row in Hyde Park gets a mention later on). Duggie's mum doesn't seem to have much money, let alone time for her children, as Duggie is forever being made to get to the shops, and his dad is always on the railways. It is a hard book to get hold into if you are 11 years old, I suppose, and rather boring, if you cant get around to that mind set long before there was danger lurking around the corner, worries about children being left alone (though there are complaints when Duggie and Pete - Pete being his friend - take on the round when Old Jock becomes ill) and people werent bothered about paedophiles and it was safe to leave your door unlocked. The only real danger to Duggie is the Smithfield gang (a sort of young Kray Brothers), who at one point, stone the donkey and later steal money off him (the money belonged to Old Jock).
But the intensity and emotion felt for Tammy the donkey, and the relationship with Old Jock is a steady and good key plot through out the whole of the book. There is a lot of sadness, especially at the end, but unlike her other books there is no "thrill a minute". If you can get past that, it makes an outstanding book. The actual Donkey Derby is a secondary feature to that book, the only thing that comes near to an "adventure", which other pony (and donkey I suppose) books have. I think although this is better appreciated from an adult's point of view than a child's as in some places it is too adult for today's modern pony book tastes, and it is quite dark even for the PT's. But still the quality for me, makes it my favourite book.
Posted by pullein-thompson-archive at 18:51 3 comments
Labels: 1950s books, Diana, Re-named books, Review, Shirley Hughes (Illustrated By)