This week's book is the new edition of It Began with Picotee. I say new, as not only does it contain their first full novel, It Began With Picotee, it also contains bonus content.
Thursday, 14 August 2025
Review: ALL THREE - It Began with Picotee: the new edition
Posted by pullein-thompson-archive at 06:56 0 comments
Labels: 1940s works, Christine, Diana, ebook, Jane Badger Books, Joint Works, Josephine, Review, Rosemary Robertson (Illustrated By
Monday, 14 April 2025
Review: JOSEPHINE - The Radney Riding Club
The Radney Riding Club is this week's book. It is the 3rd book in the ever popular Noel and Henry series (also known as the West Barsetshire Pony Club). It was first published in 1951.
The blurb reads:-
RADNEY RIDING CLUB.
Are you interested in forming a riding club to encourage better horsemanship in this district? If so, perhaps you would care to come to Radney Manor on August 5th at 2.30 P.M. to discuss the matter.
Please bring your horse.
This notice, sent out by Henry Thornton, marks the beginning of all the events in this book, which include a gymkhana organised by the club, and their entry in a horse trial.
Posted by pullein-thompson-archive at 02:12 0 comments
Labels: 1950s books, ebook, Jane Badger Books, Josephine, Noel and Henry, Review, West Barsetshire Pony Club
Thursday, 19 September 2024
Review: ALL THREE: It Began With Picotee
It Began With Picotee is this week's book. It is their first book, and like their mother, all 3 sisters collabrated to do it. It was first published in 1946, the same year as both Diana and Josephine published their first solo books.
It is illustrated by Rosemary Robertson, who was not only a friend of Josephine's, but also did their mother's They Bought Her A Pony.
The blurb reads:-
It began with Picotee, then came Tony, and Pengo and a whole host of other ponies. Some were amenable to discipline, others were decidedly not. But good, or bad, for the three girls who looked after them, the more ponies they had the more they liked it.
It Began With Picotee is rather an apt title, since this began which is was obviously a rather fruitful career for all 3 sisters.
Posted by pullein-thompson-archive at 03:12 0 comments
Labels: 1940s books, Christine, Diana, Joint Works, Josephine, Review, Rosemary Robertson (Illustrated By)
Wednesday, 15 May 2024
Review: JOSEPHINE - Pony Club Team
Pony Club Team is the second book in the ever popular West Barsetshire aka the Noel and Henry series. It was first published in 1950, making it Josephine's fourth book.
The blurb reads:-
Christopher got his foot in the stirrups and jumped, but before he could swing his leg over, Fireworks was off at a gallop! Christopher tried to pull him up to get on, but he couldn't manage so he just hung on for grim death. They galloped past Glory. "Whoa, whoa," shouted June. The rest of the team turned at her shout. "Perhaps he'll stop when he gets here," said Roger.
But Fireworks didn't stop; he swerved and galloped towards the hedge. The Pony Club members stood helpless. Then Fireworks swerved again and Christopher lost hold of the saddle and fell. For a horrid moment he was mixed up with Fireworks' flying hoofs and then the pony galloped on as Christopher lay on the ground...
Posted by pullein-thompson-archive at 14:29 0 comments
Labels: 1950s books, ebook, Jane Badger, Josephine, Noel and Henry, Review, West Barsetshire Pony Club
Tuesday, 6 June 2023
Review: JOSEPHINE - Six Ponies
Six Ponies is this week's book. It has a special place in many people's hearts: firstly it is Josephine's first book (published in 1946) and secondly it is the first in the ever popular West Barsetshire series, or more commonly known as the "Noel and Henry" series. For this reason I have labelled as both.
Six Ponies is a rather long book, and when Collins republished it under their Pony Library series, and also Armada and Swift, they cut it quite significantly. Consequently, until recently, a first edition with full text and original illustration had been quite hard and expensive. Fortunately, Fidra Books in 2007 in their wisdom have republished it in it's entirety. In 2019 Jane Badger also released it in it's entirety meaning that now everyone can have a full story at a reasonable price.
The edition I have used in this review is the Fidra one (the one with the blue border). If anyone is unfamiliar with Fidra's style, they always have some sort of introduction, where possible, it is written by the author. Sadly due to Josephine's ill health she could not complete one, although she has written one for Fidra's other works: We Met Our Cousins and London Pride (by their mother: Joanna Cannan). So before the main story there is a short biography by Vanessa Robertson (owner of Fidra) and an article about the "Noel and Henry" series by Jane Badger (of Jane Badger books).
I will deal with the article first, then the story.
The article begins with a bit of social history about riding in the 1920's and the 1930's, useful as most people reading any P-T books (and even some of Joanna Cannan's books) will be unfamiliar with "backwards" seat, as they have never seen it. This is often referred to in the P-T's early works, particularly Josephine's. It also details many influential books, particularly Equitation, a book by Henry Wynmalen (ironically enough they appeared an 1941 edition of Riding Magazine describing a pony called Cocktail which Henry Wynmalen also wrote an article comparing the car and the horse). This book greatly influenced the P-T sisters.
The article goes on to describe the book's characters, not only their riding but also their temperament. Not just in Six Ponies, but throughout the whole series.
It also compares other well known books, and also the schooling side of things: Josephine's books are (with a couple of exceptions) famous for being instructional. Jane comments:
"However, although pony books can easily turn into didactic tomes (J M Berrisford's A Pony In The Family bieng an example of the didactic unrelieved by either humour or plot) there is more than enough wit and character in the Noel and Henry books to make them eminently readable: we can appreciate Noel's improvement without understanding precisely how she does it."
The entire article can be found on Jane's website (link on the right if viewing this on a PC or tablet).
The blurb reads (of the Fidra Books edition):-
When six members of the West Barsetshire Pony Club each take on the challenge of breaking in a New Forest Pony they have little idea of what they will encounter. They have to teach them to wear a saddle and bridle, to carry a rider, to jump fences and behave quietly in traffic. Then, they have to ride them in a competition to see who has done the best. Who will do the best? June Cresswell who has an expensive pony and rides in every competition: John who has no-one to help him; the Radcliffes who shout and quarrel and live in the whirl of their huge family; Susan who has a groom and hardly looks after her pony herself; or shy, dreamy Noel? The first book in Josephine Pullein-Thompson's series about the West Barsetshire Pony Club, Six Ponies introduces some of her most memorable characters and brilliantly captures the highs and lows of schooling a young pony.
and the Armada (second image) edition's blurb reads:-
Six New Forest ponies to break in and school with a year to do it in! The members of the Pony Club can hardly believe their luck when Major Holbrooke chooses them for the job.
Besides the excitement of gymkhanas, rallies and paperchases, this is an added challenge. Will they have enough spirit and determination to tackle it? Their enthusiasm sometimes wears think with bolting ponies, refusals and even broken bones.
Yet by the year's end, the children have gained the upper hand, and their six perfectly-schooled ponies are the envy of all!
The other books in the Noel and Henry/West Barsetshire Pony Club series are: The Radney Riding Club, Pony Club Team, One Day Event and Pony Club Camp. The books Pony Club Cup,
Pony Club Challenge and Pony Club Trek do not belong to this series: instead they belong to a different Pony Club (see Woodbury Pony Club tag).
This book was Josephine's first solo book and is widely regarded to be one of her best.
It's good that the publishers have decided to republish it again, this one is in it's entirety, as unfortunately all paperback editions prior to this were drastically cut. Who can argue when the only other way to get the full story, was to purchase a first edition, which is considerably more expensive than this one.
It's the story of 6 children who are given 6 young ponies to train, with a competition at the end to see who has trained them the best. The author is well known for combining training instructions, with stories about ponies, and this one does not disappoint. The trials and tribulations of training youngsters is a key part to the story, but there are some incidents there to give some humour (such as when the pony steals the apples off the greengrocer's cart).
This book also has an introduction which covers the rest of the series, and details about the characters and the background to the book. An excellent read, and should be considered a great classic.
Posted by pullein-thompson-archive at 15:38 0 comments
Labels: 1940s books, Fidra Books, Jane Badger Books, Joanna Cannan, Josephine, Noel and Henry, Review, West Barsetshire Pony Club
Monday, 28 June 2021
Review: JOSEPHINE - Black Swift
Black Swift is this week's book. It was first published in 1991, and was the penultimate book she wrote.
The title causes some confusion, despite it's name it has nothing to do with the Black Beauty's relatives books which were published in the 1970s and 1980s. It has yet to be republished, so can only be found in this edition. However, like the Black Beauty's relatives books, it is told in the same style, which may or may not be a problem, depending if you like it or not.
The blurb reads:-
Born at Radstock Castle during the Civil War, Black Swift is the fastest filly in Sir Thomas Wakefield's stable. Taller and stronger then any horse in England, she is the first new breed with which her owner hopes to repair his battered fortunes. But before she can be put to the test, Black Swift is stolen by Bernard, Sir Thomas's younger son, and taken to the heart of the battlefield.
Written by the famous pony novelist, Josephine Pullein-Thompson this book brilliantly evokes the wild and lawless time that followed the war as well as the great spirit of hope that it brought forth.
Posted by pullein-thompson-archive at 19:51 0 comments
Labels: 1990s books, Josephine, Review
Sunday, 7 July 2013
REVIEW: Heroines on Horseback - Jane Badger
Heroines on Horseback is a book by Jane Badger. It was first published in 2013 by Girls Gone By.
The blurb reads:-
The pony book galloped onto the children's book scene with a flick of its rosetted bridle, and has remained a fixture ever since. Brave girls and nervous ones, scruffy ponies and ornaments of the show ring cantered through pony tale after pony tale, all fallen upon by an audience desperate to read anything that reflected their own passion for the pony.
Heroines on Horseback looks at the pony book from its beginning in the 1920s and 1930s to the glory days of the 1940s and 50s and beyond. The pony book expert Jane Badger writes about the lives and contribution of noted exponents, including Primrose Cumming, Monica Edwards, Patricia Leitch, Ruby Ferguson and the Pullein-Thompson sisters, as well as providing a wide-ranging view of the genre as a whole, its themes and developments, illustrators and short stories.
This book has a chapter devoted to the Pullein-Thompson sisters hence why it is on this blog. However I am not going to focus solely on the PT chapter, but a review of the book in general.
This book is ideal for anyone who is interested in the history of the
pony book as it covers everything from the early days to the hey days of
the pony book of the 1960s and the 1970s. It also covers major
illustrators of the pony books. The book is also aimed at adults who
want to relive their pony book days. It also covers British authors,
which is not surprising as the author is based in the UK. However that's
not to mean that the non UK authors are excluded, Elyne Mitchell (an
Australian author) does get a mention.
I found it interesting and
it gave a quick summary of some of the books without giving the plot
away. The author has a knack of keeping the author interested without
making the subject into a boring tome - something which could be easily
done. The only downside is that it skimmed through the more modern stuff
(1990s onwards), briefly giving them a mention. I felt as though they
werent given the same time to the book. Perhaps the author simply ran
out of room - after all you cant fit everything into a book. Though
admittedly there are new pony authors coming out all the time. The major
authors (Pullein-Thompsons, K M Peyton) are covered along with lesser
authors such as Patience McElwee (though like modern books they arent
all covered). Judith M Berrisford (who wrote the longest running pony
book series) is another author who is barely covered. However the author
has a superb website which is full of biographical information of many
authors - I suspect that she didnt want to reiterate what is available
essentially for free thus making the book redundant.
The Pullein-Thompson chapter is very informative and full of a wealth of information about the sister, including little known gems. It focuses on their works up until 1970, which means that later books such as the later Phantom Horse series, A Job With Horses (Josephine) are largely forgotten about. It also contains a review of the Black Beauty Family's series by Susanna Forest (author of If Wishes Were Horses).
It makes you want to buy many authors that you missed out as the author of the book has a knack of describing hidden gems.
There
was a couple of things that I didnt like. Personally I didnt like the
yellow on the front cover, I felt cream or something more neutral would
have been more appropriate. Also I didnt like the fact that covers of
pony book depicted internally where in black and white - I would prefer
them in colour. I suspect that both decisions were taken by the
publisher rather than the author however. The black and white does fit
in however with the illustrations, of which they are plenty and
sympathetically chosen to display what the author is trying to convey.
Similarly the quotes of the various pony books are well chosen and fit
with what the author is trying to convey well.
It is a well written book and definitely worth the money paid for it. Despite my criticisms, I highly recommend it. Heroines on Horseback is available through Amazon, abebooks, Girls Gone By, Waterstones (at least online, I dont know about their physical stores) as well as through the author's own website (link below). If you order through Jane herself she will sign it for you at no extra cost. (Mine is!)
http://www.ponybooksales.com/?page=shop/flypage&product_id=5145&keyword=badger,+jane&searchby=author&offset=0&fs=1
An interesting personal note is that I am mentioned in the acknowledgement section by name. Obviously I am not going to put my real name on a public blog, but my initials are DH. If you own such a copy you will work it out yourself.
Posted by pullein-thompson-archive at 18:43 0 comments
Labels: 2010s works, Adult, Anne Bullen (Illustrated By), Christine, Diana, Gillian Baxter, Joanna Cannan, Josephine, Non fictional works, Non PT works, Review
Friday, 9 September 2011
Review: ALL THREE - Fair Girls and Grey Horses
Fair Girls and Grey Horses: Memories of a country childhood is really their second collective work, as the first was It Began with Picotee. However, unlike It Began With Picotee, this is an non fictional work. It is actually an autobiography, with all 3 sisters contributing to every chapter. This is actually a different style to It Began With Picotee, which works much better I think. However, it does lead to some duplication.
It was first published in 1996, 50 years after the publication of It Began with Picotee. The scan is of an paperback edition, which has the same cover as the hardback edition. There is also a large type edition and an audio book version (sadly, not read out by the sisters).
This book is not aimed at children, more like adult collectors or people have who have read their books as a child and are now grown up. It is not illustrated.
The blurb reads:-
'Are your twins normal?' Mrs Pullein-Thompson was asked. 'Good God, I hope not,' she retorted.
The twins were Diana and Christine who, with their elder sister Josephine, have written 150 books, which have sold in millions around the world. Now, over 50 years after the publication of their first book, It Began with Picotee, the sisters have jointly written about their extraordinary childhood with lovable but often unreliable animals and unforgettable humans.
It also mentions quite frequently their brother Denis Cannan, and their father, Cappy, of which little is known about, at least in comparison to the sisters (and their mother). It begins with some family history.
Although not meant to be funny, there are some. One particular incident is when Josephine writes "He also had an embarrassing habit of knocking the hats off men who failed to remove them for the National Anthem" when talking about how Cappy was fiercely patriotic. Also they (the sisters) had euphemisms brought by their Victorian Nana, and the confusions/chaos it sometimes caused led to some amusing incidents.
There are a few adult references, but not as much as the non pony work, A Place With Two Faces (Josephine), but the general tone would make it boring for children. There are some incidents about animals (not necessarily about horses) which provide some amusement. Some events which happened in their life did actually appear in their (or their mother's) books, though the names had been changed.
Three are also some sample of poems which have yet to appear in any other book, which gives a fascinating insight into their fruitful literary career, especially as most of them were written before the publication of It Began With Picotee. There are also some photos of their childhood.
In some ways, it shows (despite their lack of formal education) the forward-thinking of their Mamma (Joanna Cannan). Although she did send them to school at some point, she insisted that they only attended half a day, because she "believed children should enjoy their childhood", a fact that is sadly lacking these days.
All in all, a humorous book, and completely utterly enjoyable. However for me, the greatest disappointment was the fact that there was not a complete bibliography of their works included. Admittedly, Christine did write several books after this was first published. You notice to the right there is the link to the Wikipedia article which has all the books listed, but that was done by me, following many hours of research. If that was included, it would have made my life much easier. Completely and utterly fascinating, though sadly there is not much about the riding school that they owned.
Posted by pullein-thompson-archive at 20:35 0 comments
Labels: 1990s books, Christine, Diana, Joint Works, Josephine, Review
Saturday, 6 December 2008
Review: JOSEPHINE - How Horses Are Trained
How Horses are Trained is this week's book. It was first published in 1961 and is a non fictional work.
The blurb reads:-
Josephine Pullein-Thompson, famous for her books on riding, explains the basic training of all riding horses and then deals with the specialists - from show jumper to pit pony. There is a chapter on how horses were trained in the past and one of advice to would-be-trainers.
Written in comprehensive language it will be of interest to all who wish to know what lies behind the accomplished performances of race horse, circus pony or show jumper.
This book is part of the "How" series and this series includes such titles as "How We Weigh and Measure" and "How A Book Is Made".
Curiously, this book has a list of acknowledgements, of which one is a Mr. Dennis Far, who is her sister Diana's late husband.
The first chapter is entitled "The Trainer", which deals with the history of training horses from early Stone Age to the (at the time) present.
The second chapter is called "The Kindergarten", which deals with the training and handling of youngsters from a foal to early riding years (generally 4-5 years). It also deals with, albeit briefly, abandoned methods, such as the use of dumb jockeys.
The third chapter is called "The General Certificate of Education" which details with basic schooling (regardless of the discipline or job the horse is used). This includes some basic dressage such as a turn on the forehand, the rein back, and the half pass. It also deals with some basic faults.
The fourth chapter is entitled "Jumping Lessons". It deals with jumping, right from the extreme basics of teaching a horse to jump, to basic jumping.
The fifth chapter is called "The Stars". This deals with the various roles of the horse. The first part is called The Showjumper, and this deals with what sort of horse is best for jumping (competitively), and also how at the time, show jumping has changed.
The second part details The Competitive and High School Horse (basically the Dressage Horse). This details the various competitions that are (or were; there are more out now) available and what sort of horse is both conformationally and temperamentally suited to dressage. It also says about various movements requited (which have not been previously been discussed) at each level.
The third part details The Event Horse, and the sort of things you need for such a horse. This is slightly out of date as it says that a horse needs to do the road and tracks and steeplechase sections of a three day event. Very few events (and certainly not the major ones) have this section these days, as in the past few years it has been phased out. It also details with a minimum weight a horse must carry (11 stone 11 pounds for men, and 11 stone for women). which was phased out in the 1990s.
The sixth chapter is entitled "More Stars", which is basically a follow on to the previous chapter.
The first part is called Race Horse, which details with early training methods (1600-1700) and the type of horses that were around then. It then details with more up to date training methods too, from early training to a two year old. I'm not too sure how accurate it is, as like Eventing, the training of racehorses has changed over the years.
The next part deals with Polo Ponies, from a short basic history, to the training and the sort of pony that is useful.
The next part deals with Show Horses-Hacks, from the brief history of them (mainly to do with Rotten Row) to what is needed for a Show Hack as opposed to a "working" Hack.
The next part details with the Show Hunters, and what details it, and what is required of it (basically a well behaved type that the judge finds easy to ride).
The next part details Show Ponies. Basically set out as above, but the pony must be suitable for a child to ride. Instead of the judge riding it, they give shows, so must be well behaved.
The next part deals with Gymkhana Ponies. Basically it details what sort of pony temperamentally and in terms of speed is needed, rather than actual games.
The next part details the Circus Horse. This is out of date as there are few circuses that use animals (and consequently very few Circus Horses) but it is interesting from a historical point of view.
The seventh chapter is entitled "The Workers". The first part is called Riding School Horses. This details (albeit briefly) about what sort of pony that is needs, and basically what a good riding school should do.
The next part deals with Pit Ponies. Basically, like Circus Horses, this is out of date, as there are no Pit Ponies in the UK. Again, this is interesting from an historical point of view.
The next part deals with the Police Horse. I suspect that has hardly changed, as the ideal police horse has to be unphased by smoke, cars backfiring etc. It details with the extra things that are generally not taught to horses, and what sort of horse is suitable.
The eighth (and penultimate) chapter is called "How Horses Were Trained". This details with the history from the early Greeks (aroundd 400-350 years B.C.) to (at the time) present day. It also details (albeit briefly) on how the Romans, Saxonse etc had an influence on the (British) way horses/ponies were handled and ridden. It is interestign to deals. It also details, again, briefly, about the former roles of the hores as (save for show purposes) horse are not used for pulling mail coaches and for ploughing.
The nineth (and final) chapter is called "Advice to Would-Be Trainers". This details with what people should have (in terms of experience) before breaking a horse or pony. It also details do's and dont's.
There are also a couple of photos/drawings included in this book, one of Josephine riding a horse called Rosebay.
This book on the whole is still basically sound, though a little bit dated in places. A lot of it is due to changing attitudes and methods over the years, for example join up. For me, it was disappointing that it did not cover Western Riding. It is perhaps best used as an informal guide, with more up-to-date information out there. Of course this is terribly subjective, even horse care books written in the 1980s are how out of date. This fortunately on the whole has not dated as much when compared to other books that were around in the 1960s. The easy readability of this, though meant to be an instructional book, is not dull or boring, but is largely down to Josephine herself. This is because generally (her fictional) book are full of knowledge and are a wealth of information, but you get so absorbed in her story, that you hardly notice that you are getting a lesson too. Though the language in some places is a little old fashioned the book is still readable. Had it been written by a less able writer, then this book would have been better off on the history shelves.
Posted by pullein-thompson-archive at 18:14 3 comments
Labels: 1960s books, Josephine, Non fictional works, Review
Saturday, 8 November 2008
Review: JOSEPHINE - Proud Riders
Proud Riders is this week's book. It was first published in 1973, and really is an anthology, the extracts are chosen by Josephine, rather than written by.
The blurb reads:-
A superb book for everyone interested in horses, a collection of stories and verses, fact and fiction, about horses and ponies and their riders at work; in the wild and at play, all over the world. Josephine Pullein-Thompson, famous for her own stories about horse, has brought together writing from all sorts of authors, who include Shakespeare and Tolstoy, Mark Twain and John Betjeman, Siegfried Sassoon and W H Hudson, Gordon Richards and Conan Doyle.
The book is illustrated by two sections of photographs which add another dimension to the whole theme of horses and their riders and their place in life.
The first extract is from More Ponies for Jean by Joanna Cannan, the second is from Roughing It by Mark Twain, the third is from Bengal Lancer by F. Yeats-Brown, the fourth is Memoirs of a fox-hunting man by Siegfried Sassoon, the fifth is a poem by John Betjeman, the sixth is from Sir Nigel by Sir Arthur Conan Doyle, the seventh is from The Travels of Marco Polo by Marco Polo, the eighth is from Animal Stories by Ruth Manning-Sanders, the ninth is from True Stories About Horses by Lilian Gask, the tenth is a poem called Equestrian Courtship by Thomas Hood, the eleventh is from A Galloway Childhood by Ian Niall, the twelfth is from The Horse by Seigfried Stander, the next one is a song called A Cowboy's Life by Anon., the fourteenth is from Far Away and Long Ago by W.H. Hudson, the fifteenth is a rather long poem from The Collected Verse of A.B.Paterson, the sixteenth is from Sporting Print by G. March-Phillips, the seventeenth is from My Story by Gordon Richards, the eighteenth is a rather long poem called The Worn-Out Pony by Anon., the nineteenth is from The Unvarnished West by J.M. Pollock, the twentieth is from Strider by Leo Tolstoy and the final bit is a poem from Venus and Adonis by Shakespeare.
It also begins with an introduction by Josephine Pullein-Thompson.
The quality varies. Some are quite enjoyable, others are not. I really enjoyed the extract from More Ponies For Jean by Joanna Cannan and also Memoirs of a fox-hunting man by Siegfried Sassoon. Some of the extracts include different styles of riding (such as Western) which some people. Also, An African Foal (from The Horse by Siegfried Stander) deals with another country (and continent) entirely, which again is not for everyone.
Of course this is all subjective, of course people will enjoy bits that others won't. But at least this (apart from the cover) does not date, the trouble is that with some anthologies (particularly by Christine) is that they include references to famous horse riders of the day, or horse care which is now out of date. But anthologies are a subject of love or hate themselves, some people hate them, some people love them. Personally I am in the hate category. But on the other hand, if you hate a book at least you are stuck with only one chapter rather than wasting a whole chapter.
Still, at least the quality of the extracts Josephine has chosen are of high quality and this is one of the better anthologies out there. Some anthologies do contain poor quality extracts, and this one does not. The best thing is if you find a cheap copy is to try it yourself.
Posted by pullein-thompson-archive at 18:04 0 comments
Labels: 1970s books, Josephine, Non fictional works, Review
Saturday, 9 August 2008
Review: JOSEPHINE - A Place With Two Faces
OK I am cheating here. First of all I have misplaced They Died In the Spring, hence the lack of updates because I cant continue with the (Chief) Inspector Flecker series until I find it. Because of the rarity of the series I cant borrow/buy another one easily. If I don't find it soon, I will find another Josephine book.
Secondly, recently I have decided to purchase all of Christine's and Diana's non (fictional) pony works, and therefore I will be reviewing them at a later date. I want to get review the pony books first. Also, because of the rarity (in comparison) of their non-pony works, I need the complete series.
Because I touched on A Place With Two Faces before in a previous post, I have now decided to give it a proper review. All 3 sisters decided to publish under a different name (Diana published 3 books under her married name - Farr and Christine published 2 books under the (possible) pseudonym of Christine Keir). This book fades into some relative obscurity, mainly because it is hard to find, and not many people are aware that she wrote it. I was pointed out last year to a book called Who's Who, which lists many notable people, and in it, it has a complete bibliography of her works. (Diana is not listed, however her brother Denis Cannan is.) If you are interested in reading it, it is to be found in your reference section of your local library, however many libraries subscribe to Know UK. In Know UK, you can search Who's Who. Go to your local council's website and they will tell if you if you can access KnowUK. You do need to be a member of your local library, as Know UK does require you to enter your library card number.
A Place With Two Faces is quite a departure from her usual style. I am not sure why she wrote it under a pseudonym, maybe because she was so well known for her pony books during the 1970s (this one was published in 1972) that she did not decide to confuse parents as this is definitely not for children. Or alternatively, if she did not want to write any more of this style or it flopped (perhaps it wasnt a best seller due to it's rarity) then nobody would know who Josephine Mann was (or rather is). Or maybe, because it is such a wild departure that she wanted to distant herself, and her way was writing it under a pseudonym. You decide.
I say it is not for children, as it is described as gothic terror novel; certainly it is not "cosy" reading and it is definitely not instructive. It has drug and sex references for a start: though it does not go into great detail, they arent subjects for horsey loving kids. The religion Wicca is quite a predominent feature in the book, although it is not shoved down your neck. The blurb (of the first image) reads:-
'Darksome Night and shining Moon,
East then, South then West then North,
Hearken to the witches' run,
Hear I come to call thee forth -
Earth and Water Air and Fire...'
Fleeing from a broken romance, Jenny Maxwell came to Kilruthan in search of work and an escape from here past.
The large double-house set on the edge of the moors offered her a fresh start, and Mrs. Shaw, an eccentric author, seemed a hospitable employer. But from the moment she entered the house she was struck by the ominous echoes of fear that haunted every room. Strange accidents began to occur and she realised, with horror, that someone or something was out to kill her.
Caught in Kilruthan's web of evil, Jenny found herself witness to a witches' ritual and a black dance of death - a devil's dance which was to end in a sacred offering. And well she knew, with terror in her heart, that she was to be the sacrifice.
and the other blurb (second image) reads:-
Darksome Night and shining Moon,
East then, South then West then North,
Hearken to the witches' run,
Hear I come to call thee forth -
Earth and Water Air and Fire...'
A broken romance had brought Jenny Maxwell to Kilruthan on the edge of the moor. Here she would forget the hurt she suffered.
But from the moment she entered the house she was struck with fear. Strange accidents began to occur and she realized, with mounting horror, the something or someone wanted her dead.
Caught in an ominous web of evil, Jenny found herself witness to a witches ritual and a black dance of death - a devil's dance that could only end with Jenny herself as the sacred offering!
Both editions are not illustrated.
Firstly, I know nothing about the religion Wicca, so I dont know how true or not true it portrays the religion. But looking from the Wikipedia article, it appears some aspects are true.
In addition to the sex and drug references there is a death at the end of the book of one of the characters, which is highly unusual, as Diana was the one that used to do death in her books, Josephine as far as I am aware of (bear in mind I havent read all her books) doesnt do "death". There is also a romance in it too.
I found this book strangely enjoyable. I certainly forgot it was Josephine who wrote it about a quarter of the way through: however you could tell it was written by a decent author. Maybe if you are used to books by other gothic authors such as Anne Rice (this book also pre-dates any of Anne's works) then you may find not quite up to her standard, but if you want a cosy and loving read, then this is not for you. I found it quite chilling in places.
Still it is worth noting that there is more to the P-Ts than pony books. I have yet to experience either Diana's or Christine's non pony books, but they do come from good writing stock: Joanna (their mother) wrote more novels (including detective) than pony books. I have yet to read them either: but from what I know, they dont feature horses/ponies at all.
Posted by pullein-thompson-archive at 18:52 0 comments
Labels: 1970s books, Josephine, Non pony PT works, Pseudonym works, Review
Saturday, 28 June 2008
Review: JOSEPHINE - Gin and Murder
Gin and Murder is the first one of a series of books. They are less well known than many of her works: though they are horse related, the horses are less of an key element to the books. They are aimed at adults: in fact they are murder mystery books. Josephine is following in the steps of her mother, who was alive when this was published. This book is dedicated to her.
It was first published in 1959, though the image shown is a 1990 reprint. All 3 books are quite hard to find, though not as hard as Mystery On the Moor. The "Linford Mystery Library" editions are easier to find than the first, however they are in large print, making them quite bulky. However they are complete and unabridged, so you do not miss out on any story.
I have added it into 2 series: the series should really be called "(Chief) Inspector Flecker", as he is the character that appears throughout the whole series, and quite a key. However, because of the relative obscurity of the books, it may not be obvious to people, and therefore I am also adding a "Adult Murder Mystery" tag, which makes more sense.
The blurb reads:-
When Guy Vickers died after Commander Chadwick's cocktail party, murder was the last thing suspected by East Wintshire. Murder was something one read about in the Sunday newspapers; it just didn't happen to people like them.
But murder it was. And when Inspector Hollis of the County Police began his rather ham-handed investigations, he found plenty of motives concealed behind those conventional façades.
It took a second murder to stampede the Chief Constable into sending for help from Scotland Yard, and when help came in the person of Chief Inspector James Flecker, he began to wonder whether it had been a wise move...
The horse element is somewhat lesser than her horse books. It is mainly confined to the fact that the book is set against a hunting background. Part of the book dwells on the party of the hunting franiterny, and the politics of the hunt. Apart from a couple of visits to the kennels by James Flecker, and a somewhat minimally detailed hunting day, there isn't much horse related. The majority of the story is taken up by Inspector Hollis' and later Chief Inspector James Flecker's investigations.
Although it is meant for adults, it could be read by older teenagers too. There is a small amount of swearing here and there, so it would definitely not be suitable for children. Also, one of the characters in the book drinks a lot, and therefore it makes it also unsuitable for young teenagers.
If you do not like hunting or want more horses, then perhaps this is not the book for you: then you are better off with Josephine's other (fictional) works.
The books is not too graphic: to be honest, Josephine's other adult book: A Place With Two Faces (written under the pseudonym of Josephine Mann) is more so. But then again, that is a different genre: that is a gothic terror novel. If you dont like hearing (in graphic detail) about how the person died, worry not, apart from the cause of death, there is very little detail about the two people die.
I do not know if this is a good or bad murder mystery book: to be honest, I have yet to read any other murder mystery book. Although her mother (Joanna Cannan) was famous for writing detective novels (Rue Morgue Press compare to her to other famous authors at the time, including a friend, Georgette Heyer), it is probably a decent one. Joanna Cannan herself wrote one book which is along the lines of this (having a horsey background I mean) which is Murder Included, which I will review at a later date.
The characters are well thought out, and the situation is believable. It is neither a heavy read or a light one, it falls in the middle. The action flows along nicely, though the plot is not over complicated. For me personally, I was put off in detective/murder novels because I was worried about the plot and the book being very complicated, and therefore hard to follow, worry not. This is not the case.
Still it has a decent enough ending, and everything is nicely sown up, though the ending has a slight twist in it. Enough to keep most people amused, and perhaps not for everyone, but if you can get past the lack of horses. It is enough to keep people who are perhaps interested in murder mysteries but not horses happy. Quite a good book in all, and a decent enough departure from Josephine's usual style.
Posted by pullein-thompson-archive at 18:10 0 comments
Labels: 1950s books, Adult, Inspector Flecker, Josephine, Murder Mystery, Review
Saturday, 7 June 2008
Review: JOSEPHINE - Plenty Of Ponies
This week's book is Plenty Of Ponies. It was first published in 1949, making it one of Josephine's earlier books (in fact it was her third book that she published).
The blurb reads (first picture):-
'Quite frankly, I don't think much of you Esmonds' said the colonel. 'You've got some of the nicest ponies in this Pony Club, but you don't seem to take any trouble.'
The Christmas holidays promise wonderful adventures for the five Esmonds - but somehow they always end up in disgrace. They let The Turk gallop through hounds, October has run riot in Mr. Simpson's garden - and now they've brought chaos to the Pony Club rally.
However, there's still the Children's Meet, and the Esmonds are determined to redeem themselves - and give the colonel the shock of his life....
The second scan is of a Collins Pony Library edition, which does not contain a blurb. However both editions contains illustrations. The Collins Pony Library edition are credited to Anne Bullen, which are presumably the same ones as the first edition. The other one (a White Lion edition) does not credit the illustrator, but they are the same ones as in the Collins Pony Library edition (and presumably, by Anne Bullen). The cover has been done by someone else, however.
The book starts out with Professor Esmond pointing out their bad points, of which they decide to "improve their characters". However things do not go to plan, even when hunting on Boxing Day the Master gets cross and a Colonel Howard tells them off.
This book is somewhat slightly stuffy, these days people do not think of "improving their characters". However there is a great deal of (mis)adventures to be read in this book, and this makes up for it. Granted, there aren't so many horse filled incidents until near the end, but the relationship of the children is enough to keep you occupied. Perhaps this is not the ideal book to start off with if you have not read Josephine's books before, as this is not her best work. However, it must be remembered that it is an early work of hers, and that is the reason why.
In some ways that old fashionedness sticks out, there is talk of brandy when someone is ill/has an accident, which is not used today in quite the same way (and certainly not given to children) and also of liver pills (which are not used these days either). Also there are frequent mentions of servants and gardeners, which (unless you are very rich) people don't have these days. Also when there is talk of hanging, it also dates it, as we don't have hanging anymore.
It is a book I am not particularly fond of, but if you can get past the old fashionedness of it, it is not too bad. Like All Change/The Hidden Horse, the ponies are a secondary element to this book.
Posted by pullein-thompson-archive at 20:22 0 comments
Labels: 1940s books, Anne Bullen (Illustrated By), Josephine, Review
Sunday, 1 June 2008
Review: JOSEPHINE - Save The Ponies!
Save The Ponies is this week's book. It was first published in 1984, making this one of Josephine's later books.
The blurb reads:-
It all began when Mandy, Kate, Jeremy and Fergus met Nico and Sophia on the Greek Island where they were spending their holidays. Together they discover that a horse dealer from Athens is illegally buying up the island ponies to use them in a circus. Even Nico's beloved pony, Vrondi, is in danger.
In desperation, the children embark on a dramatic rescue attempt. They set off on a daring bare-back ride through the mountains determined on one thing - at all costs they must save the ponies!
A couple of notes: this is probably one of two pony books set in Greece; the other is Penny and Pegasus by Primrose Cumming and both authors were British. Secondly, there is an exact titled book by Gillian Baxter, however the Gillian Baxter one pre-dates this, as it was first published in 1971. If you do not own this book, please double check that you are getting the right one. Thirdly this reminds me of a book by her sister Christine called Stolen Ponies, which was published in 1957.
This book starts by Kate and Jeremy being bored, having being made to go with two people (Mandy and Fergus) who they aren't really friends with. They all decide to go for a beach walk (they are already at the island) where they meet Sophia and Nico. They tell them about a pony race happening tomorrow.
They all attend the race, which is rather crude by British standards. But the excitement makes up for it. They find some ponies to hire and it is during these rides that they find out that the ponies are being sold to a circus. But the ponies are involved in a sinister plot and that is where a plan of action comes along.
I felt that this was an ok effort. This is one of Josephine's adventure effort, it is not to bad as far as her stories goes. It is a pleasant, light red, however the unusual location gives it an added in-depth which is missing from other book. However if it is was not there it would not be as strong. The greatest strength really in this book is the detail of the difference of cultures and the way in life, as far as ponies are treated and people's attitude. But as this is supposed to be a pony book, it is a great shame.
Posted by pullein-thompson-archive at 10:21 1 comments
Labels: 1980s books, Josephine, Review
Saturday, 10 May 2008
Review: JOSEPHINE - All Change/The Hidden Horse
The Hidden Horse is this week's book. It was originally published as All Change, but was later retitled as The Hidden Horse. It was first published in 1961.
The blurb reads (taken from the first image, which is the first edition:-
THERE WAS NOT DOUBT at all, the Conway family decided, that that new owner of the Charnworth estate was going to be a thorough nuisance. Their father had been agent to Lord Charnworth for eight years and he had regarded them as part of the family, letting them ride over the whole place as if it had been their own. But with Mr. Smithson, the new owner, things were not going to be the same. The estate was going to be run on strictly business lines and there was not going to be any question of children getting in the way or breaking down fences or gates.
However the five Conways - plus their new friend Nick - manage to have an extremely adventurous beginning to the Christmas holidays. Their father had told Douglas on his first meeting back from school: 'A lot may depend on your behaviour these holidays'. As things turned out, a lot did depend on it!
and the blurb from The Hidden Horse (second image) reads:-
With their parents' tenanted farm under threat from a heartless new landowner, Douglas and this younger brothers and sisters secretly pool their savings to buy back a favourite Jersey cow from a local auction. But on the same day there just happens to be a horse sale, where, unknown to the others, Penny bids for a thin, fifteen hand thoroughbred mare...
The edition shown is a J A Allen edition, hence why the blurb is so short. As per usual with these editions, the majority of the back is taken up with information on the author (and in this case, her two sisters, brother and mother whose surname is mispelt Cannon).
This won an Ernest Benn award: this appears to be given by Ernest Benn (the original publishers) to the best book they published in a particular year. In this case it won the first prize in their Children's Book Competition.
Just a note: all editions except the first one have been revised. This is due to the fact that Josephine included the words "Jew boy", and "bloody" and depending on the publisher it varies what has been taken out. The J A Allen edition (second image) does include the words "bloody" but not Jew boy.
As for illustrations, the first edition contains illustrated by Sheila Rose. The J A Allen (second image) does not contain small illustrations, but they are not credited. These are completely different ones to the first edition.
The book begins with the sad, harsh reality of a death of the land's former owner, and how things are going to change. I can see why Josephine chose to use the (original) title of All Change, but I guess subsequent (re)publishers of this book wasn't pony enough, hence it's retitling.
Because of the sad, harsh reality they have to look at everything financially: the new landowner cares more about money. This leads to unpleasant comments, and the selling of their prizewinning cow (who belongs to the owner of the farm - not the Conways - who are the family in this story). Knowing that she will go for meat because of her age, the children make a plan to attend the auction & buy her back, and that is when they get the horse.
Like last week's offering, The No-Good Pony, this explores family relationships, but unlike The No-Good Pony, the family are not divorced. It does explore change: the lack of willingness of the farmer to change to factory farming, and the local villagers (especially the elderly) to more houses in the village, and the inclusion of central heating.
The only bit that I didn't get was why J A Allen didn't omit about Nick smoking, as smoking is very un-PC these days. As this edition was published in 1989, it seems a rather strange thing to include, especially as it is an children's book. Granted it is an older one (J A Allen suggest age 9-1 3 on the back), but still. It's not really a key element to this story.
I really liked this book. The sudden change of the way of life, not only to the main characters, but other farmers & the village is well thought out. There is an great episode where at the sale, a bull belonging to another farmer breaks out and causes great chaos in the local town!
This is perhaps the least horsey book out of Josephine's I feel, as although ponies are there, it is more of a farming story than a horsey one. Perhaps that is why it was retitled. But don't let that put you off: the standard of writing is extremely excellent (this is one of Josephine's better tales) and it is easy to see why this has won an Award.
A good book which shouldn't be missed.
Posted by pullein-thompson-archive at 15:55 3 comments
Labels: 1960s books, Josephine, Re-named books, Review
Monday, 5 May 2008
Review: JOSEPHINE - The No-Good Pony
The No-Good Pony is this week's book. It was first published in 1981.
The blurb reads:-
It was never going to work. The Brodie children disliked the Dalton children at first sight. The Daltons were smooth and elegant, their ponies well schooled and their tack immaculate. The Brodies always looked a mess, their tack was falling apart and they did not even have a pony each.
But now that Mr Dalton had married Mrs Brodie, the children were all going to live together. The holidays would be ruined, and even riding would not be fun any longer with the Daltons about...
Unlike most of Josephine other books, this isnt quite so heavily on the instructional front, I guess this was a sign of changing times, as the main books she wrote during the 1980s where the Moors series, which were more adventure style than instructional. The only exception seems to be her Woodbury Pony Club stories which revert back to that.
It is also a reflection of modern times that this story is a culmination of 2 different families: most pony stories follow a set pattern of mum, dad (even if he is rarely seen or mentioned) and anything from 2-6 children. There is also an au pair in this story: something which has changed, as pony stories until the 1970s, had either helps, servants or maids (depending on the story and whether the edition had been revised or not), but never au pairs (Diana's Only A Pony, also published during the 1980s, had an au pair though, but that has a weird time frame - see the post concerned for further information).
The No-Good pony, referred to in the title is actually referred to a pony called Treacle, a pony which appears to be no good at anything because her jumping is no good, and her dressage isnt much better. But at the end of the story, she isnt no good, she has other talents which make her just as useful (and valuable - not money terms anyway) as the Dalton's immaculate ponies.
It is an easy enough tale, which is quite readable, and unlike the other pony stories things dont go right. Josephine has tackled the subject of what happens when two families come together, a subject also briefly mentioned in the Woodbury Pony Club series, but dealt with in more detail. Whereas with the Woodbury Pony Club series the focus is on the ponies, here it is equally about the children and the ponies.
There is an interesting twist in the end, which makes it more sound Diana's Pony Seeker's series (also published in the 1980s) though.
I like this book, though it's title is pretty uninspiring, and perhaps not the one that grabs you in a list of Josephine's books. Although it may not appeal to every single child out there because of it's people element, it is nevertheless a good book, which is often overlooked.
Posted by pullein-thompson-archive at 12:35 2 comments
Labels: 1980s books, Josephine, Review
Sunday, 20 April 2008
Review: JOSEPHINE - The Trick Jumpers
The Trick Jumpers is this week's book. It was first published in 1958.
The edition shown is the Collins Pony Library edition, which does not contain a blurb. However Jane Badger has kindly supplied one, taken from the first edition. It is not illustrated.
A pony story which has an amusing and original theme. The Trelawnys, an unconventional and artistic family, come to live at Cudleigh, where local pony matters are dominated by the inartistic and ultra-horsey Hendersons. It is not long before the two families cross swords: Benedict, Jasper and Nicolette Trelawny know their riding is far from perfect, but they do not enjoy being told so by Peter and Erica Henderson! Things come to a head when the Trelawnys plan a trick-jumping act for the Cudleigh Horticultural Show, and the enmity between the two families continues until the very day of the Show itself..... The author's outstanding talent for characterisation makes this a pony story with a difference.
This is the book that is unique. If there was a category for banned pony books, this would fall in it. You either love or hate it. It is highly doubtful that today this book would get published, nor even republished. If you are a stickler for safety then this is not for you.
The book starts with the local people criticising the new people and their house: it seems a bit Enid Blytonish to me and certainly prejudiced. Because of this, and their criticism of lack of riding ability, they are soon forced to take part in a musical ride. This is unsuccessful, because of the (lack of) riding standard and they decide to do a "stunt team". The rest of the book is taken up with practising for the stunt team, and (mis)fortunes.
Like I said before, it is either one you love or hate. The idea of a stunt team is not that bad, just that you cant see it happening today. The bit I hate is that is in the beginning and the characters. Yes, we all have people we hate or dislike, but to me there is some downright nasty bits. This to me spoils it in some parts an otherwise good book, I am torn.
I am torn because there are some good parts to this book, but the downright nasty (and sometimes petty) squabbles spoil it. Diana was the one for writing more people and relationships, I can only assume that Josephine put the tension there to prove that just horses are about, doesnt mean that people get on. Maybe it is due to people that is not Josephine's forte, it's something Diana would be better at.
So really, the best judge is you. It's hard to define this book really. There are good and bad parts to all books, this one is certainly different. Fortunately it is not a hard to find book, and the best thing is really to see it for yourself. Provided you arent a stickler for health and safety that is.
Posted by pullein-thompson-archive at 19:36 2 comments
Labels: 1950s books, Josephine, Review
Saturday, 12 April 2008
Review: JOSEPHINE - The Prize Pony
The Prize Pony is this week's book. It was first published in 1982.
The blurb reads:-
Debbie read her letter again, to make sure she'd made no mistake. 'Mum', she said at last. 'Mum, read this. I think it says I've won first prize. I think I've won a pony!
Winning the story competition seemed like a dream come true for Debbie. At last she would have the thing she had always wanted; a pony of her very own.
But once she got her new pony home, Debbie realised that she had more than she had bargained for. An inexperienced rider, she was no match for the excitable and spirited five-year-old. Before long Debbie is convinced that the pony is nothing but a disaster. Instead of all the lovely rides she imagined, she seems to spend all of her either falling off Easter, or chasing him up and down muddy lanes. Debbie is just at her wit's end when her mother has an idea...
In some ways this reminds me of J M Berrisford's Jackie Won a Pony, of which Jackie got her pony through a competition. But unlike Jackie who got on with Misty, from the blurb it is not.
In some ways it is rather unusual, for people not to get with their ponies. For not everything to go smoothly, and things that go like a dream.
I am torn. In some ways it is a good story, but others it is not. For a start it is a slight deviant from the instructive tales that Josephine is known for, but it is not an adventure story (per the Moors series). It appeals to everyone, I mean who wouldnt like to win a pony?
But the slant which is more of a moral tale, which what happens when things go wrong? This book deals with it and the choices you have make.
It is not a bad book in general. It's certainly not the strongest, but it does appeal to a lot of people. It is certainly an enjoyable read, and is medium I feel. Not the best, but certainly not the worst of Josephine's books.
Posted by pullein-thompson-archive at 20:14 0 comments
Labels: 1980s books, Josephine, Review
Sunday, 6 April 2008
Review: JOSEPHINE - Suspicion Stalks The Moor
Suspicion Stalks The Moor is the final book in the Moors series.
Like Mystery On the Moor, it is quite hard to find, though thankfully not as hard as the last book. It was first published in 1986, making it one of the last books that Josephine wrote, and also the last book she wrote in the 1980s.
It is illustrated by Glenn Steward.
The blurb reads:-
A horse is unloaded from a ship at dead of night. Sukey and her friends find the event suspicious in itself, but they also know that a famous stallion has been kidnapped and they decide to investigate further. Is it the missing stallion that the mysterious Mr Spalding is keeping at his farm? The impatient and impetuous Jess is quite convinced that this is so, but a sudden dramatic turn of events gives the children the chance to discover the truth at last.
Unlike the previous book, the Burnetts are not mentioned, in fact they seemed to be consigned to the dust bin, which leaves a lot of questions unanswered. Such as the fact that what happened to them, and what do the inhabitants do for a doctor?
Like Fear Treks the Moor, it begins with Mick (Mr Jackson), the pony-trekking centre's owner, having an accident. (Seems to be very prone to accidents.) Like Fear Treks the Moor, it also has the main characters helping. This is when they discover the hidden horse, which forms the basis of the story.
Again, like Mystery, if you get around the fact that the Burnetts are no longer around, it isnt that bad. The plot and general story is written better than Mystery, to me it flows better and makes more sense. There is a lot of little subplots and mini adventures in this book; I dont know if that is a good or bad thing. On one hand it is good because it does not make it boring, on the other hand it can get a little confusing. But aside from that, it is a decent enough story and it a good one.
Personally I do not think that this one and the previous book do not flow so well, the Burnetts being missing and the sudden change is a major bug bear for me. Maybe this is why it is so rare?
As a conclusion to a series, it leaves things hanging and it doesnt form a natural conclusion to the series. There is a decent enough end to the book, yes, but series no. I get the feeling that Josephine wanted to carry on, but sales didnt warrant her writing another.
Also, my apologies for the delay - time just slipped away!!
Posted by pullein-thompson-archive at 15:19 0 comments
Labels: 1980s books, Glenn Steward (Illustrated By), Josephine, Moors, Review
Sunday, 16 March 2008
Review: JOSEPHINE - Mystery On The Moor
Mystery On The Moor is the 6th book in the series, and is the hardest to find in the series, even out of all of Josephine's books. It was first published in 1984. It is illustrated by Chris Rothero.
The blurb reads:-
The fear of rabies haunts the moor when the vets' children, Chris and Sukey, meet their friends for the holidays, for several cases of the killer disease have been reported. The holidays are also overshadowed by disagreeable Mr Bates, who clearly wants no one near his establishment high on the moor. What is it he's hiding? And what is in the big boxes he carries to the deserted quarry?
As you may have guessed, the Burnetts which were a central part of the series (and probably due to it's success) are no longer here. The main focus is instead on Chris and Sukey, two characters we met in the previous book. However, the Hamiltons and the Jacksons are still there, which gives some sort of familiarity. The Burnetts are now confined to a short bit which reads:-
We turned right and passed Rosebank where the Burnetts live.
'Why did they all go away suddenly?' I asked, jogging alongside Huw.
'My mother said Dr Burnett was ill. Run down, she said, through constant overwork. He kept catching his patients' illnesses. He's a very obliging doctor, always rushing out in the middle of the night. Anyway, he's got to have a month's holiday so the whole family have gone to Italy.'
Incidentally, the sudden change of characters is not Josephine's fault, instead the publishers Hodder & Stoughton practically forced her to change them, as they felt the Burnetts were getting too old. This is not the first time that the publishers have interfered with the books: All Change/The Hidden Horse has had words omitted (depending on the publisher it varies) and Josephine was forbidden to publish any more Noel and Henry books after Pony Club Camp.
It is curious that Josephine chose to use rabies as a premise for this book, as in the UK we have had not had rabies since 1922 (however, the last human death was 1902), which was 2 years prior to her being born. I do think that foot and mouth disease may have been a better choice, as in 2007 we had it in the UK. The previous outbreak was in 2001 and prior to that 1967. Although Foot and Mouth disease does not affect horses, however they would have been told to keep off the moor to prevent spread of the disease.
Anyway, for me it is disappointing. The quality of the writing is equally high when compared to rest of the series; however the sudden change of characters kinda of disrupts the flow. I feel that had Josephine slowly worked the Burnett characters out during the book then maybe the book would have been better. I am sure that I am not the only person to feel that way, the extreme elusiveness of this book and the almost equally hard to find next book Suspicion Stalks the Moor proves something.
If you replaced the Chris and Sukey (why the foreign sounding girl's name I wonder? Maybe if the boy had been named something equally exotic then it wouldnt be so bad. They are brother and sister after all. It would have been better sounding if it was named Sarah or something like that. I am not xenophobic, just it kind of disrupts the flow, when all the other characters in the series have English sounding names).
haffyfan has another review of this book on here blog, which is here . (Word of warning: it does give the ending away) A bit I strongly disagree with is this bit:-
"Burnetts absence was due to their mother being ill and needing to recover in a warmer climate"
As per above statement it was their father, and anyway I got the impression it was a holiday to recover. If he had been at home he would have been strongly tempted to go and help people. Due to it being a remote community, then people would also be knocking on their door. Meaning that he had got no rest.
Next week: the final in the series, Suspicion Stalks The Moor.
Posted by pullein-thompson-archive at 12:09 0 comments
Labels: 1980s books, Chris Rothero (Illustrated By), Josephine, Moors, Review